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If you're anybody else, don't support horrible European engineering. If you're a big fan of blurry 5pt white text on gray backgrounds, installers that do not work at all, indecipherable mystery-meat navigation cues, buggy, budget-rate USB controllers that physically fry ports, write-once-run-nowhere compatibility libraries that are always 5 years behind the rest of the world and never-ending spin loops in QWindowSystemInterfacePrivate::handleWindowSystemEvent that result in you not being able to use any of the things you paid entirely too much money for then you might love Native Instruments. They're also usually making trap beats for SoundCloud because they think that's going to get Timbaland's attention or something. The vast majority of them aren't old enough to have ever seen another sampler on the planet-the rest are just so used to being abused by the likes of Ableton and Fruity Loops that they honestly cannot even imagine a world without pain. Obviously, this software comes with its own private army of fanboy defenders and YouTube influencer shills who insist that Kontakt is the greatest sampler on the planet. There is no longer any unexplored ground to cover yet Native Instruments has basically buried their heads in the sand the entire time as they continue to churn out bafflingly awful Qt garbage which they attempt to pass off as software worth paying money for.
#NATIVE INSTRUMENTS SERVICE CENTER MISSING MANUAL#
It was awkward, it was clunky, it required a thorough reading of a phone book-sized manual to understand, and we tolerated it because it was very literally breaking new ground in every conceivable way.
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My first DAW was OSC's Deck, followed by Deck II.